BIOGRAPHY Carlo Tosin was born in Thiene (VI) March 15, 1965 1984 graduating from the Art Institute of Nove (VI) 1984 Solo Exhibition: Image-Line, near the room Fabris G. De Nove (VI) Ex Aque 5Premio 1986, Biennale Triveneta, Lentiai (BL) 1986 Group Exhibition, Town Hall Roman Ezzelino (VI) 1987 Magazine Flash Art (first art magazine in Europe) publish in a section dedicated to young Overture ' work with a critical introduction. 1987 Group Exhibition, Town Hall Ponte di Piave (TV) 1988 began working with major companies in the furniture sector in the role of design interiors and industrial design. 1992 began working with the company Taotie Italy of Vittorio Veneto (TV) porteralla development and production of 12 projects, furnishings (tables, multifunctional mobile) in the period between 1992 and 1999.La Area magazine specializing in Architecture and Design, 1991 pubblicnel images related to the project of the drawers Diagonal. 2004 Exhibition of glass additions at the trade fair in Dusseldorf Glass Tech in an exhibition organized dalluniversitdi Stuttgart 2004 Selected for a group exhibition of international artists entitled 'Art Card' at the Art Museum of Sharjah in the UAE 2005 Exhibition Collective Gallery Memoli Busto Arsizio (VA) 2005 Solo Exhibition Gallery My Virtual Studio 2005, Italian Cultural Heritage devoted a long article on the Web to research by Carlo Tosin transfinite 2005 The international magazine dedicated to the home page of their web work Totem n1 2005 Group Exhibition Splash Aqua Party Sporting Club, Roman Ezzelino (VI) 2006 Group Exhibition 'The bodies Mutanti'Palazzo Pisani, Lonigo (VI) 2007 Solo Exhibition Gallery Webartmagazine by Eraldo Di Vita International Sculpture Biennale 2007 Valladolid 2007 Group Exhibition International, Target Pop, Cascina (PI) at Eurohotel, curator Frederick Bellini.Tra participating artists: Warhol, Mapplethorpe, Keith Haring, Ceron, Adami, Nespolo, Folon, Widow, Baj 2007 International Group Exhibition 'Oltreandiamo', Marina by Gioiosa Ionica. Curator Joseph Gallo. The original poetry of Charles Tosin "The abstract poetic" by Carlo Tosin visible to the naked eye in her work and is caught in the folds of lacerations, Emergence, compression, tension, curved lines, the tragedies complessitdelle contained in adversity of our existence that is transported on the canvas. "The original poetic" we read in the works of Tosin is the focus of his art becomes abstract and the main term of reference of his artistic dialectic. This researcher is constantly trying to identify and represent the first then with his works, the poetry of life (for better or for worse) ciol'evento content poetic in the original and that he has turned in two directions: that of primitivit (poor art) and graphic expression in master without a shadow of doubt, through the analysis of signs by their wits, their sense that they give to space and how to measure it and fill it, the way of conceiving the empty and full, how to explore the interiority, the conscious use of sign language, the concept for which the world is art and is a clean place and poetic. In the search delloriginario poetic, which should be the content of the work of art, Carlo Tosin goes through various experiences to get to the recovery of the "total act", a musical gesture, even if the painting does not puessere transformed into sound and vice versa, and the painter uses color to give it voice. CosTosin longs for the return all'essenzialit, the primitivit, archetype and what size to the original ideals to live by, and then propose a model life for them before the man finally recovered in its quest to achieve not know which half, lost the sense of its primal "being human", meaning also searched by Kandinsky, when he says that if an artist uses means " abstract "does not mean that an artist is" abstract "and is also appropriate to Carlo Tosin that, as a painter, piconcreto any other figurative. In his work are perceived stimulus and the tension of creativity, to strive to make visible the feelings and emotions that the artist tries to create in the act. In the work of Carlo Tosin space becomes a "functional system" structured volumes, surfaces, distances and beauty segments. The work of this artist is in the bottom of the story as a tale as old as the world whose main characters, matter and antimatter, or good and evil, fight incessantly, but the consistency of the artist faces without difficulty. From 1986 to 2004 Tosin studies, through his painting, "densitspaziali" and "Totem", to the "contamination" of 2005. The twelve works that we present in this exhibition are a little summary of much of his artistic journey. Eraldo Di Vita